The installation experiments with the possible parallels between bioelectronics and an art gallery, transforming the Dreiviertel Kunstraum into an aesthetic sensor. The movements of the viewers independently activate 6 loudspeakers, creating an adjustable sound ambience. Conversely, the projections are made from live images of the space, revealing only immobility.
For the final viewing, the installation was adapted to accommodate a performance by Izabela Orzelowska on body postures/movement language during feminist demonstrations.
Installation Gonzague Rebetez and Timothée Verheij