Interdisciplinary Show, 60 min
In this performance, planned obsolescence is explored through the body and its loss of value within a society obsessed with performance and renewal. Three dancers of different ages share the stage, and their bodies tell the story of the inevitable transformation and the potential for memory in movement. Together, their movements weave a fragmented narrative where the intimate meets the collective, and where beauty arises from the tension between what fades, what remains, and what is transmitted.
The scenography consists of an audiovisual environment that reacts to movement: each gesture resonates with a world punctuated by cycles, flows, and continuous updates. Technology becomes a playmate, a mirror, a counterpoint, revealing the invisible connections between humans and machines. This is a profoundly human story: the infinite capacity of living beings to reinvent themselves—and to adapt to what they create.
Südpol – Lucern: 28, 29 and 30 Mai 2026
Tojo Theater – Bern: 17, 18 and 20 September 2026
Théatre du Jura – Delémont: 4 and 5 February 2026
Le Royal – Tavanne: 27 Febrary 2027
CCL – St-Imier: 12 March 2027
Concept & Reactive AV Scenography
Gonzague Rebetez
Chorography & Music
Izabela Orzelowska
Performance
Helena Sanz
Izabela Orzelowska
Sheang-Li Pung
Dramaturgy
Gilda Laneve, Louis Rebetez
Costume
Ernestyna Orlowska
Production
Das Theater Kolleg
Coproduction
Südpol & fOrum Culture
Support: Stadt Berne, Canton de Berne, Luzern Plus, Fondation TaKu Albert Koechlin, Fondation Ernst Göhner, Fondation Stanley Thomas Johnson, Fondation Arthur Waser, Fondation Monika Widmer, Fondation Jürg Georg Bürki, GVB Berne, Burgergemeinde Bern, Gemeinnützige Gesellschaft Luzern